
THE CHANGELING
By Thomas Middleton & William Rowley
Played Sep / Oct 2023
DeFlores will do anything for Beatrice Joanna… literally anything.
Beatrice Joanna has fallen in love with Alsemero, but she is betrothed to Alonzo, a man she does not like, let alone love. Employing her Mother’s servant, Deflores (by whom she is repulsed) she disposes of Alonzo, but when it comes to payment Deflores doesn’t want money.
Their decent into hellish madness haunted by ghosts and lunatics, propelled by obsession and sex, leads to one of the bloodiest, ferocious, and downright bonkers climaxes of the English stage.
Regarded as one of the greatest masterpieces of Jacobean drama Middleton and Rowley’s extraordinary play of jealousy, lust, and murder hits Southwark Playhouse in this theatrical, daring and full throttle ensemble production.

Production shots
Photographs by Charles Flint
Digital Programme
Pre order your The Changeling Digital Programme for cast info, interviews, behind the creative process and more. Programmes will be sent shortly after purchase.
Cast
Alsemero – Mylo McDonald
Beatrice Joanna – Colette O’Rourke
DeFlores – Jamie O’Neill
Diaphanta – Henrietta Rhodes
The Patients – Hamish Somers
The Patients– Kiera Murray
The Patients – Mikko Juan
Jasperino – Dane Williams
Alonzo de Piracquo – Alex Bird
Tomazo de Piracquo – Olsen Elezi
Vermandera – Emma Wilkinson Wright
All other roles played by the company
Creative Team
Written by Thomas Middleton & William Rowley
Adapted & Directed by Ricky Dukes
Design by Sorcha Corcoran
Lighting Design by Stuart Glover
Sound Design by Sam Glossop
Costume Design by Alice Neale
Songs by Bobby Locke
Creative Assistant - Alice Carrol
Assistant Director - Edoardo Berto
Stage Manager – Verena Prandstaetter
Assistant Stage Manager - Lydia Morgan
Dramaturgical Consultant - Sarah Dustagheer
Art work, Rehearsal & Production Photography by Charles Flint
Company Photographer - Adam Trigg
Producer for LTC - Gavin Harrington-Odedra
PR - Choe Nelkin Consulting
William Rowley
William Rowley was born around 1585. His first recorded acting is in 1607, the same year his first two plays - Fortune by Land and Sea with Thomas Heywood and The Travels of the Three English Brothers with John Day and George Wilkins - were produced. From 1609 to 1621 he was a member of the Duke of York's Men (later Prince Charles's Men), usually taking the part of the clown.
He began collaborating with Thomas Middleton on several important plays in 1617, writing the subplot of A Fair Quarrel; two years later he played the clown in Middleton's The Inner Temple Masque. That same year - 1619 - he wrote his only extant play without collaboration, All's Lost by Lust, a tragic melodrama which establishes the same tone as The Witch of Edmonton, a play he cowrote with Thomas Dekker and Thomas Middleton.
In 1622 he again returned to comedy, but this time tinged with madness when writing the subplot of The Changeling, once more in collaboration with Middleton. In 1623 he joined the King's Men, offending the Spanish ambassador while playing the part of the fat bishop in Middleton's A Game at Chess (1624) and probably collaborating once more with Middleton on The Spanish Gipsy. In 1625 he worked with John Webster on the comedy A Cure for a Cuckold with the well known clown Compass and wrote his own city comedy A Woman Never Vexed.
Rowley died in February 1626; only 16 plays have survived of more than 50 on which he worked during his lifetime.
Courtesy of Bloomsbury Publishing
Thomas Middleton
British Renaissance playwright Thomas Middleton wrote comedy, history, tragedy, and tragicomedy. After Middleton’s father died in 1586, his mother, Anne, married a man who had lost money in Sir Walter Raleigh’s Roanoke venture. Thomas Middleton started writing as a student at Queens College, Oxford. He and his wife, Magdalene Marbecke, sister of the actor Thomas Marbecke, settled in Southwark in 1608, and Middleton was appointed city chronologer in 1620.
